President Franklin Pierce--Second Worst U.S. President Ever?

 

Franklin Pierce (November 23, 1804 – October 8, 1869) was an American politician who served as the 14th president of the United States from 1853 to 1857. A northern Democrat who believed that the abolitionist movement was a fundamental threat to the nation's unity, he alienated anti-slavery groups by signing the Kansas–Nebraska Act and enforcing the Fugitive Slave Act. Conflict between North and South continued after Pierce's presidency, and, after Abraham Lincoln was elected president in 1860, the Southern states seceded, resulting in the American Civil War.

Pierce was born in New Hampshire, the son of state governor Benjamin Pierce. He served in the House of Representatives from 1833 until his election to the Senate, where he served from 1837 until his resignation in 1842. His private law practice was a success, and he was appointed New Hampshire's U.S. Attorney in 1845. Pierce took part in the Mexican–American War as a brigadier general in the United States Army. Democrats saw him as a compromise candidate uniting Northern and Southern interests, and nominated him for president on the 49th ballot at the 1852 Democratic National Convention. He and running mate William R. King easily defeated the Whig Party ticket of Winfield Scott and William A. Graham in the 1852 presidential election.

As president, Pierce attempted to enforce neutral standards for civil service while also satisfying the Democratic Party's diverse elements with patronage, an effort that largely failed and turned many in his party against him. He was a Young America expansionist who signed the Gadsden Purchase of land from Mexico and led a failed attempt to acquire Cuba from Spain. He signed trade treaties with Britain and Japan and his Cabinet reformed its departments and improved accountability, but political strife during his presidency overshadowed these successes. His popularity declined sharply in the Northern states after he supported the Kansas–Nebraska Act, which nullified the Missouri Compromise, while many Southern whites continued to support him. The act's passage led to violent conflict over the expansion of slavery in the American West. Pierce's administration was further damaged when several of his diplomats issued the Ostend Manifesto calling for the annexation of Cuba, a document that was roundly criticized. He fully expected the Democrats to renominate him in the 1856 presidential election, but they abandoned him and his bid failed. His reputation in the North suffered further during the American Civil War as he became a vocal critic of President Lincoln.

Pierce was popular and outgoing, but his family life was difficult; his three children died young and his wife, Jane Pierce, suffered from illness and depression for much of her life. Their last surviving son was killed in a train accident while the family was traveling, shortly before Pierce's inauguration. A heavy drinker for much of his life, Pierce died in 1869 of cirrhosis.  Wikipedia

 

Colleen Dewhurst--Celebrated Actress & One Time President of Actors' Equity

 Colleen Rose Dewhurst (June 3, 1924 – August 22, 1991) was a Canadian-American actress mostly known for theatre roles. She was a renowned interpreter of the works of Eugene O'Neill on the stage, and her career also encompassed film, early dramas on live television, and performances in Joseph Papp's New York Shakespeare Festival. One of her last roles was playing Marilla Cuthbert in the Kevin Sullivan television adaptations of the Anne of Green Gables series and her reprisal of the role in the subsequent TV series Road to Avonlea. In the United States, Dewhurst won two Tony Awards and four Emmy Awards for her stage and television work. In addition to other Canadian honors over the years, Dewhurst won two Gemini Awards (the former Canadian equivalent of an Emmy Award) for her portrayal of Marilla Cuthbert; once in 1986 and again in 1988. It is arguably her best known role because of the Kevin Sullivan produced series’ continuing popularity and also the initial co-production by the CBC; allowing for rebroadcasts over the years on it, and also on PBS in the United States. The initial broadcast alone was seen by millions of viewers.

Dewhurst was born June 3, 1924, in Montreal, Quebec, the only child of Frances Marie (nee Woods) and Ferdinand Augustus "Fred" Dewhurst. Fred Dewhurst was the owner of a chain of confectionery stores and had been a celebrated athlete in Canada, where he had played football with the Ottawa Rough Riders. The family became naturalized as U.S. citizens before 1940. Colleen Dewhurst's mother was a Christian Scientist, a faith Colleen also embraced. The Dewhursts moved to Massachusetts in 1928 or 1929, staying in the Boston area neighborhoods of Dorchester, Auburndale, and West Newton. Later they moved to New York City and then to Whitefish Bay, Wisconsin. Dewhurst attended Whitefish Bay High School for her first two years of high school, moved to Shorewood High School for her junior year, and graduated from Riverside High School in Milwaukee in 1942. About this time her parents separated. Dewhurst attended Milwaukee-Downer College for two years, then moved to New York City to pursue an acting career.

One of her more significant stage roles was in the 1974 Broadway revival of O'Neill's A Moon for the Misbegotten as Josie Hogan, for which she won a Tony Award. She previously won the Tony Award for Best Featured Actress in 1961 for All the Way Home. She later played Katharina in a 1956 production of Taming of the Shrew for Joseph Papp. She (as recounted in her posthumous obituary in collaboration with Tom Viola) wrote:

With Brooks Atkinson's blessing, our world changed overnight. Suddenly in our audience of neighbors in T-shirts and jeans appeared men in white shirts, jackets and ties and ladies in summer dresses. We were in a hit that would have a positive effect on my career, as well as Joe's, but I missed the shouting.

She played Shakespeare's Cleopatra and Lady Macbeth for Papp and years later, Gertrude in a production of Hamlet at the Delacorte Theatre in Central Park.

She appeared in the Alfred Hitchcock Presents episode Night Fever in 1965 and with Ingrid Bergman in More Stately Mansions on Broadway in 1967. José Quintero directed her in O'Neill's Long Day's Journey into Night and Mourning Becomes Electra. She appeared in Edward Albee's adaptation of Carson McCullers' Ballad of the Sad Cafe and as Martha in a Broadway revival of Who's Afraid of Virginia Woolf?, with Ben Gazzara which Albee directed.

She appeared in 1962 as Joanne Novak in the episode "I Don't Belong in a White-Painted House" in the medical drama The Eleventh Hour, starring Wendell Corey and Jack Ging. Dewhurst appeared opposite her then husband, Scott, in a 1971 television adaptation of Arthur Miller's The Price, on Hallmark Hall of Fame, and an anthology series. There is another television recording of them together when she played Elizabeth Proctor to the unfaithful John in Miller's The Crucible (with Tuesday Weld). In 1977, Woody Allen cast her in his film Annie Hall as Annie's mother.

In her autobiography, Dewhurst wrote: "I had moved so quickly from one Off-Broadway production to the next that I was known, at one point, as the 'Queen of Off-Broadway'. This title was not due to my brilliance, but, rather, because most of the plays I was in closed after a run of anywhere from one night to two weeks. I would then move immediately into another."

In 1972 she played a madam, Mrs. Kate Collingwood, in The Cowboys (1972), which starred John Wayne. Dewhurst also appeared with Wayne in the 1974 film McQ. She was the first actress to share a love scene with Wayne in bed. In 1985, she played the role of Marilla Cuthbert in Kevin Sullivan's adaptation of Lucy Maud Montgomery's novel Anne of Green Gables and reprised the role in 1987's Anne of Avonlea (also known as Anne of Green Gables: The Sequel) and in several episodes of Kevin Sullivan's Road to Avonlea.

Dewhurst was on hiatus from Road to Avonlea when she died in 1991. Sullivan Productions was unaware she was terminally ill, so her portrayal of Marilla ended posthumously. This was accomplished by shooting new scenes with actress Patricia Hamilton acting as a body double for Dewhurst and by recycling parts of scenes from Anne of Green Gables, Road to Avonlea, and using Dewhurst's death scene as Hepzibah in Sullivan's production of Lantern Hill. The latter was a 1990 television film based on L.M. Montgomery's Jane of Lantern Hill.

During 1989 and 1990, she appeared in a supporting role on the television series Murphy Brown playing Avery Brown, the feisty mother of Candice Bergen's title character; this role earned her two Emmy Awards, the second being awarded posthumously. Dewhurst won a total of two Tony Awards and four Emmy Awards for her stage and television work. Season 4, Episode 6 entitled "Full Circle" was the Murphy Brown episode filmed shortly after her death and dedicated to her memory.

In a review of Dewhurst's final film role as Ruth in Bed and Breakfast (1991), Emanuel Levy wrote “Bed and Breakfast is the kind of small, intimate picture that actors revere. The stunningly sensual Dewhurst, in one of her last screen roles, dominates every scene she is in, making the lusty and down-to-earth Ruth at once credible and enchanting.“

Dewhurst was president of the Actors' Equity Association from 1985 until her death. She was the first national president to die in the office. 

Colleen Dewhurst was married to James Vickery from 1947 to 1960. She married and divorced George C. Scott twice. They had two sons, Alexander Scott and actor Campbell Scott; she co-starred with Campbell in Dying Young (1991), one of her later film roles as she died in August 1991.

During the last years of her life she lived on a farm in South Salem, New York, with her partner Ken Marsolais. They also had a summer home on Prince Edward Island, Canada.

Maureen Stapleton wrote about Dewhurst:

Colleen looked like a warrior, so people assumed she was the earth mother. But in real life Colleen was not to be let out without a keeper. She couldn't stop herself from taking care of people, which she then did with more care than she took care of herself. Her generosity of spirit was overwhelming and her smile so dazzling that you couldn't pull the ... reins in on her even if you desperately wanted to and knew damn well that somebody should.

Dewhurst's Christian Science beliefs led to her refusal to accept any kind of surgical treatment. She died of cervical cancer at the age 67 at her South Salem home in 1991. She was cremated and her ashes were given to family and friends; no public service was planned.

Over the course of her 45-year career, Dewhurst won the 1974 Sarah Siddons Award for her work in Chicago theatre, two Tony Awards, two Obie Awards, and two Gemini Awards. In 1989, she won the Genie Award for Best Performance by an Actress in a Supporting Role for her role in Hitting Home. Of her 13 Emmy Award nominations, she won four. She was inducted into the American Theatre Hall of Fame in 1981.

• 1961: Tony Award for Best Performance by a Featured Actress in a Play - All the Way Home
• 1974: Tony Award for Best Performance by a Leading Actress in a Play - A Moon for the Misbegotten
• 1986: Primetime Emmy Award for Outstanding Supporting Actress – Miniseries or a Movie - Between Two Women
• 1989: Outstanding Guest Actress in a Comedy Series - Murphy Brown: "Mama Said"
• 1989: Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or a Movie - Those She Left Behind
• 1991: Outstanding Guest Actress in a Comedy Series - Murphy Brown: "Bob and Murphy and Ted and Avery"
  

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Raymond Massey

 

Raymond Hart Massey (August 30, 1896 – July 29, 1983) was a Canadian actor, known for his commanding, stage-trained voice. For his lead role in Abe Lincoln in Illinois (1940), Massey was nominated for the Academy Award for Best Actor. He reprised his role as Lincoln on television and in How the West Was Won (1962). Among his other well-known roles were Dr. Gillespie in the NBC television series Dr. Kildare (1961–1966), John Brown in Santa Fe Trail (1940) and Seven Angry Men (1955), Abraham Farlan in A Matter of Life and Death (1946), and Jonathan Brewster in Arsenic and Old Lace (1944).

Massey was born in Toronto, Ontario, the son of Anna Vincent, who was American-born, and her husband Chester Daniel Massey, the wealthy co-owner of the Massey-Harris tractor company. He was the grandson of businessman Hart Massey and great-grandson of company founder Daniel Massey. His branch of the Massey family immigrated to Canada from New England a few years before the War of 1812, their ancestors having migrated from England to the Massachusetts colony in the 1630s.

He attended secondary school at Upper Canada College in Toronto for two years before transferring to Appleby College in Oakville, Ontario. He also took several courses at the University of Toronto, where he was an active member of the Kappa Alpha Society.

Massey joined the Canadian Army at the outbreak of World War I, and served on the Western Front in the Royal Regiment of Canadian Artillery. Lieutenant Massey returned to Canada after being wounded at Zillebeke in Belgium during the Battle of Mont Sorrel in 1916 and was engaged as an army instructor for American officers at Yale University. In 1918, he was recalled to active service and joined the Canadian Siberian Expeditionary Force that went to Siberia during the Allied intervention in the Russian Civil War. On the orders of his commanding general, he organized a minstrel show troupe with himself as end man in blackface to bolster morale of allied troops on occupation duty in Vladivostok.

In 1942, during World War II, Massey rejoined the Canadian Army and served as a major in the adjutant general's branch. After being wounded, he was invalided from the Canadian Army in 1943. He became an American citizen in 1944.

He first appeared on the London stage in 1922 in Eugene O'Neill's In the Zone.^[4][5] According to his obituary in The New York Times, he appeared in "several dozen plays and directed numerous others" in England over the next decade. The Washington Post credited him with performances in over 80 plays, including Pygmalion with Gertrude Lawrence; Ethan Frome with Ruth Gordon; and the George Bernard Shaw works The Doctor's Dilemma and Candida with Katharine Cornell. In 1929, he directed the London premiere of The Silver Tassie. He received poor reviews in his debut on Broadway in an unorthodox 1931 production of Hamlet.

The first movie he was in was High Treason (1928). In 1931, he played Sherlock Holmes in The Speckled Band, the first sound film version of the story. In 1934, he played the villain in The Scarlet Pimpernel, and in 1936, he starred in Things to Come, a film adaptation by H.G. Wells of his own speculative novel The Shape of Things to Come (1933). In 1944, Massey played the district attorney in Fritz Lang's classic film noir The Woman in the Window, which starred Edward G. Robinson and Joan Bennett. He portrayed the American Revolutionary War character Abraham Farlan, who hated the British for making him a casualty of that war, in the 1946 film A Matter of Life and Death (titled Stairway to Heaven in the U.S.).

Despite being Canadian, Massey became famous for playing archetypal American historical figures. He played abolitionist/insurrectionist John Brown in two films: Santa Fe Trail (1940) and again in the low-budget Seven Angry Men (1955). The character of Brown is a wild-eyed lunatic in Santa Fe Trail, whereas he is a well-intentioned but misguided character in the more sympathetic Seven Angry Men. Massey scored a great triumph on Broadway in Robert E. Sherwood's Pulitzer Prize-winning play Abe Lincoln in Illinois despite reservations about Lincoln's being portrayed by a Canadian. He repeated his role in the 1940 film version, for which he was nominated for the Academy Award for Best Actor. Massey again portrayed Lincoln in The Day Lincoln Was Shot on Ford Star Jubilee (1956), a silent appearance in How the West Was Won (1962), and two TV adaptations of Abe Lincoln in Illinois broadcast in 1950 and 1951. He once complained jokingly that he was "the only actor ever typecast as a president." His preparation for the role was so detailed and obsessive that one person commented that Massey would not be satisfied with his Lincoln impersonation until someone assassinated him. On stage in a dramatic reading of Stephen Vincent Benét's John Brown's Body (1953), Massey, in addition to narrating along with Tyrone Power and Judith Anderson, took on the roles of both John Brown and Lincoln.

Massey played a Canadian on-screen only once, in 49th Parallel (1941).

During World War II, he teamed up with Katharine Cornell and other leading actors in a revival of Shaw's Candida to benefit the Army Emergency Fund and the Navy Relief Society.

Massey portrayed Jonathan Brewster in the film version of Arsenic and Old Lace. The character had been created by Boris Karloff for the stage version, and a running gag in the play and the film was the character's resemblance to Karloff. Even though the film was released in 1944, it was shot in 1941, at which time Karloff still was contracted to the Broadway play and could not be released for the filming (unlike his costars Josephine Hull, Jean Adair and John Alexander). Massey and Karloff had appeared together earlier in James Whale's suspense film The Old Dark House (1932).

After Massey became an American citizen, he continued to work in Hollywood. Memorable film roles included the husband of Joan Crawford during her Oscar-nominated role in Possessed (1947) and the doomed publishing tycoon Gail Wynand in The Fountainhead (1949), with Patricia Neal and Gary Cooper. In 1955, he starred in East of Eden as Adam Trask, father of Cal, played by James Dean, and Aron, played by Richard Davalos.

Massey became well known on television in the 1950s and 1960s. He was cast in 1960 as Sir Oliver Garnett in the episode "Trunk Full of Dreams" of the NBC series Riverboat.

Massey is remembered as Dr. Gillespie in the popular 1961–1966 NBC series Dr. Kildare, with Richard Chamberlain in the title role. Massey and his son Daniel were cast as father and son in The Queen's Guards (1961).

 

Massey was married three times.

• Margery Fremantle from 1921 to 1929 (divorce); they had one child, architect Geoffrey Massey.
• Adrianne Allen from 1929 to 1939 (divorce); Allen was a stage actress in London and on Broadway. They had two children who followed them into acting: Anna Massey and Daniel Massey.
• Dorothy Whitney from 1939 until her death in 1982.

His high-profile estrangement and divorce from Adrianne Allen was the inspiration for Ruth Gordon's and Garson Kanin's script for the film Adam's Rib (1949), starring Katharine Hepburn and Spencer Tracy, and indeed Massey married the lawyer who represented him in court, Dorothy Whitney, while his then former wife, Allen, married the opposing lawyer, William Dwight Whitney.

Massey's older brother, Vincent Massey, was the first Canadian-born governor general of Canada. Massey also dabbled in politics, appearing in a 1964 television advertisement in support of the conservative Republican presidential nominee Barry Goldwater. Massey denounced U.S. President Lyndon B. Johnson for a "no-win" strategy in the Vietnam War, suggesting that Goldwater would pursue an aggressive strategy and win the war quickly.

Massey died of pneumonia in Los Angeles, California on July 29, 1983, a month before he would have turned 87. His death came on the same day as that of David Niven, with whom he had co-starred in The Prisoner of Zenda and A Matter of Life and Death. Massey is buried in New Haven, Connecticut's Beaverdale Memorial Park.

Massey has two stars on the Hollywood Walk of Fame, one for films at 1719 Vine Street and one for television at 6708 Hollywood Boulevard. His achievements have also been recognized in a signature cocktail, the Raymond Massey.    Wikipedia